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[post-rock, prog-rock] (2017) Yowie - Synchromysticism [FLAC,Tracks] {100.XY}

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(2017) Yowie - Synchromysticism


Review:
Since 2000, St. Louis’ Yowie has been perfecting a unique form of
progressive rock that incorporates complex polyrhythms and guitar dissonance. 
Operating within its own unique
idiom, Yowie rejects rock music’s typical foundation of common time signature and standard melodic structures.
For their 3rd album, Synchromysticism, the band has used these tools, as well as the drummer’s (a clinical
psychologist) understanding of signal detection theory and delusional mood to convey complex phenomenological concepts
in a highly visceral form. This album, the first with guitarist Christopher Trull (formerly of Grand Ulena) marks a new
level of ambition in terms of conceptual complexity, synthesizing opposing compositional approaches into a distinctive
style that simultaneously elicits feelings of euphoria, perplexity, dread… and an inexorable urge to dance.
…”2004’s Cryptooology was both wild and refined. It delivered the primitive angular sketchbook
violence that the Sasquatch brawl on its cover promised. It was dry, clean, and decisive enough to accomplish that
promise and relieve pretense of anything more. 2012 saw Damning with Faint Praise, which was less convincing. DWFP was
loose and exploratory, a steppingstone that felt, at the time, like an ill-conceived compromise to more palatable
structures and forms. Its track titles suggest philosophies and in-jokes, boasting wit (“Slowly But Surly,”
“Shriners Sure Do Cuss A Lot,” “Eternally Collapsing Object”). When compared to the decisive but
questionable list of names that Cryptooology donned (“Trena,” “Tamika,” “Tara,”
“Tehesha,” etc.) the pseudo-smarts sort of titles that obfuscate references and meaning were fairly
run-of-the-mill. This was an effect of the progression of the sort of quirky ironic postmodern runoff that made its way
into indie and pop in the aughts (Sufjan Stevens’s “A Conjunction of Drones Simulating the Way in Which
Sufjan Stevens Has an Existential Crisis in the Great Godfrey Maze,” Fall Out Boy’s “I’ve Got
a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song),” Bomb the Music Industry!’s
“Bomb the Music Industry! [and Action Action] [and Refused] [and Born Against] Are Fucking Dead,” or Panic!
At the Disco’s “London Beckoned Songs About Money Written by Machines,” all released in 2005, one
year after Yowie’s debut and seven years before their follow-up). My attention to the titles on Yowie’s
2012 release isn’t for the sake of accusatory nitpicking or trend-tracking (Damning With Faint Praise certainly
has tamer titles than the ones mentioned above), but it’s worth noting because it so cleanly illustrates the sort
of loss of identity for which the album suffered.
Now, however, the elements that Yowie shook loose in 2012 remain
flexible, allowing a more elastic but refined identity. Synchromysticism’s cover is boldly decorated by vaguely
occultist imagery and symbolism. The towers and sharp diagonal tentacular vines nicely represent the rhythm and tone of
the music to follow. Synchromysticism mutates Yowie’s characteristic freneticism into more groove-based
compositions, challenging listener memory and cognition. As a press write-up concisely states, Synchromysticism utilizes
drummer Defenestrator’s studies in clinical psychology to explore an “understanding of signal detection
theory and delusional mood to convey complex phenomenological concepts in a highly visceral form.”
…Synchromysticism benefits from such focused intent, presenting itself as a marker of a band that, despite
little output, has clearly mutated over the past 17 years. It is clear that a single Yowie set must require a serious
time commitment (a fact that echoes the misfortune that This Heat never had anything close to a follow-up for
“Horizontal Hold”), but it will be interesting if we should continue to hear developments on
Synchromysticism’s promise.”





Tracklist:
01 - Ineffable Dolphin Communion.flac
02 - Mysterium
Tremendum.flac
03 - Absurdly Ineffective Barricade.flac
04 - The Fourth Wall Will Not Protect You.flac
05
- The Reason Your House Is Haunted Can Be Found On This Microfiche.flac

Summary:
Country: USA
Genre: post-rock, prog-rock


Media Report:
Source                           : CD
Format                    
      : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode           
        : Variable
Bit rate                         : ~ 985-1000 Kbps
Channel(s)                       : 2
channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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